Edinburgh: Artful & Approachable

I didn’t mean to turn my trip to Edinburgh into an article. It just sort of happened? Read all about it in the August issue of the Singapore American Newspaper:

“Picturesque” is the ideal word for Edinburgh.

If the Gothic architecture and striking geography of Scotland’s capital aren’t enough to convince you, the homegrown arts scene should. Edinburgh is famous for its festivals, concerts and live acts. The annual Edinburgh International Festival features invitation-only performances in music, theater, opera and dance. However, the most well-known is the Edinburgh Festival Fringe as it’s the world’s largest arts festival. Unlike the International Festival, anyone can perform almost any type of act. Last year, there were over 50,000 performances in everything from children’s shows to spoken word to cabaret, though the Fringe is best known for its robust comedy segments.

Similar to Melbourne, Edinburgh is very walkable, and anything that isn’t in walking distance can be reached via a robust network of trams and buses (almost all of which have free Wifi). The general atmosphere is laidback. The people are warm. The food scene is flush with local produce and craft alcohol. Both metropolises have been named Cities of Literature by UNESCO and this year an exchange program was launched to facilitate networking between their robust literary scenes. Even on a casual walk through Edinburgh, you’ll encounter statues and monuments to literary greats such as Sir Walter Scott and Robert Burns.

In addition to being a haven for writers, Edinburgh is wealthy with galleries and museums, many of which are free. I highly recommend the National Gallery for two reasons. One, it features spectacular work by Renaissance masters, including Da Vinci, Raphael and Michelangelo. And two, by studying paintings from hundreds of years ago, it’s possible to see just how little the cityscape has changed over the past millennium. Modern-day Princes Street, one of the main thoroughfares, is instantly recognizable in Alexander Nasmyth’s painting from 1825. This is partly due to regulations that limit the height of newer buildings and partly due to the city’s topography.

The multi-leveled nature of Edinburgh means there are several prime vantage points from which to gaze out over the sprawl. Calton Hill is worth the climb, but Edinburgh Castle, of course, takes the cake. The stone fortress watches over everything from its perch on the aptly-named Castle Rock, as it has done since the 12th century. Boasting just under 1000 years of history, it routinely tops the list of Edinburgh’s must-see sites. It has two spectacular approaches. You can stroll through the verdant Princes Street Gardens and then languidly take a path up a grassy slope that’s populated with daffodils in spring.

Or you can start at the bottom of Old Town and meander up the Royal Mile, which begins at Holyrood Palace and follows the medieval streets directly to the castle gates. Give yourself plenty of time to make stops and detours, as this route passes St. Giles’ Cathedral, the National Museum of Scotland, Scottish Parliament, the University of Edinburgh as well as a plethora of notable restaurants and pubs. There are also numerous secret passages and small, winding stone alleys to explore. Some of them you may already be familiar with, as parts of the Harry Potter movies were filmed here.

Like I said: picturesque.

 

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Singapore’s YouTubers Poke Fun at Locals and Expats

Published on June 30, 2016 in The Wall Street Journal: Expat:

As many expats and students of foreign languages can tell you, humor is often the final frontier in cross-cultural communication. Jokes risk falling flat, are a nightmare to translate and have the potential to offend. But they can also be a way for expats to understand the cultural norms of their new home.

Local movies and television shows can help, but the grassroots nature of YouTube videos can be even better. On YouTube, the comedy is rougher, the jokes are more of the moment, and the creators are more accessible, often responding to viewers’ questions in the comments sections. And you don’t have to suffer through being the only person not laughing in a comedy club.

Despite Singapore’s reputation as a place that limits free speech, several homegrown YouTube channels offering self-parodying commentary on local topics have sprung up in the past few years. Among the first were Wah!Banana and Night Owl Cinematics (Ryan Sylvia), which were both launched in the second half of 2012, and currently rank as the second and third most-subscribed-to channels in Singapore. The original cast of Wah!Banana has since left to form TreePotatoes, which is now number five. With topics like What Foreigners Think of Singapore and 11 Types of Singaporean Colleagues, these YouTubers have created a space where both Singaporeans and expats can chuckle about Singapore’s unique, sometimes absurd, quirks.

For example, one thing that often comes up is the kiasu attitude of many Singaporeans. The most accurate translation of kiasu is probably FOMO — fear of missing out — which Wah!Banana, Night Owl Cinematics and TreePotatoes all duly mock. The videos depict people waiting in a line just because it’s long, hoarding free ketchup packets, and trampling others to be first on a bus. These not only highlight Singaporeans’ ability to laugh at themselves, they also lessen the “us versus them” mentality expats occasionally develop.

“I think our videos help to show expats a side of Singaporean life they wouldn’t usually get to see unless they have very close local friends,” said Aaron Khoo, a producer, writer and actor on TreePotatoes. “The typical media portrayal of Singaporeans in recent years tends to shy away from the local culture and Singlish,” the local variant of English blended with Chinese dialects, Bahasa Malaysia and Tamil. “We prefer to embrace the local identity and laugh at its idiosyncrasies.”

Lingyi Xiong, a producer, writer and actor on Wah!Banana, said that often the depiction of Singapore in overseas media “is about how modern or advanced this place is, or it’s about the food in hawker centers. It’s nice but it’s traditional. It’s not really local enough.” The channel’s 10 Types of People in the Hawker Center video offers a tongue-in-cheek counterpoint.

Sylvia Chan, who co-founded Night Owl Cinematics with her husband Ryan Tan, said “our videos showcase how we behave and how we are. Many expat friends and fans tell us that our videos taught them how to interact with their Singaporean colleagues,” and are an “unofficial portal to know and understand Singapore.”

Expats get a chance to laugh at themselves too. The Wah!Banana video Ang Mo vs Singaporean remains one of their most popular. Ang mo is Hokkien for “red-haired” and has long been the local slang for “white person.” Its use is periodically mean-spirited but most often is not. In the video, sometimes Singaporeans are the butt of the joke and sometimes Caucasians are, but most of the parodies are funny.

YouTubers can get away with presenting a more grounded, less politically correct version of life in Singapore than other media outlets, most of which are government-owned. However, they still operate in a country that saw a teenaged YouTuber arrested for obscenity and “insulting communication” charges last year. As a result, Singapore never comes off looking too poorly despite the satirizing.

Night Owl Cinematics’ If Singaporeans Were Honest video, made for the country’s 50th National Day celebration, is one of the few exceptions. Criticizing Singapore’s bad points with heavy sarcasm, the video begins with a disclaimer on “vulgarity” and ends with reassurances that the criticism is meant as a patriotism-tinged reminder for Singaporeans to be kinder and more grateful. In this way, homegrown YouTube channels not only reveal local humor, but also show how values and traditions actually translate into everyday life.

Like all introductions, there is a learning curve. “Foreigners might have difficulty understanding our accents and our content when they first watch our videos,” Ms. Xiong said. “For some of our videos, you do have to spend a period of time here to understand them better. I think some of the jokes are quite unique. They’re definitely funnier if you’ve been here a while.” Aware of the barrier that Singlish often presents, Night Owl Cinematics includes subtitles on their videos.

As for the future of YouTube in Singapore, the challenge now is to continue appealing to the niche that made them popular while also pivoting to a general audience. Ms. Chan noted that three years ago she thought their site would shift to more international content. “But the thing is we realized despite us focusing on our Singaporean-ism, we gained a lot of international and foreign audience during this period.” Similarly, Ms. Xiong has seen their viewer demographic shift from 80% males aged 25 and younger to a 50/50 gender divide. Although 18-34 is still their main age group, it’s less than 30% of their total audience.

The major problem with local YouTube channels, said Ms. Xiong, is the lack of variety. Like the country itself, Singapore’s community of YouTubers is relatively small, so content and ideas often overlap.

Nevertheless, Ms. Xiong said she thinks more diversity is on its way. “I’ve seen some new players this year…and they seem really promising and new and different.” She added that the Wah!Banana team is considering making a “Shit Expats Say” video in the coming months. I can’t wait.