Edinburgh: Artful & Approachable

I didn’t mean to turn my trip to Edinburgh into an article. It just sort of happened? Read all about it in the August issue of the Singapore American Newspaper:

“Picturesque” is the ideal word for Edinburgh.

If the Gothic architecture and striking geography of Scotland’s capital aren’t enough to convince you, the homegrown arts scene should. Edinburgh is famous for its festivals, concerts and live acts. The annual Edinburgh International Festival features invitation-only performances in music, theater, opera and dance. However, the most well-known is the Edinburgh Festival Fringe as it’s the world’s largest arts festival. Unlike the International Festival, anyone can perform almost any type of act. Last year, there were over 50,000 performances in everything from children’s shows to spoken word to cabaret, though the Fringe is best known for its robust comedy segments.

Similar to Melbourne, Edinburgh is very walkable, and anything that isn’t in walking distance can be reached via a robust network of trams and buses (almost all of which have free Wifi). The general atmosphere is laidback. The people are warm. The food scene is flush with local produce and craft alcohol. Both metropolises have been named Cities of Literature by UNESCO and this year an exchange program was launched to facilitate networking between their robust literary scenes. Even on a casual walk through Edinburgh, you’ll encounter statues and monuments to literary greats such as Sir Walter Scott and Robert Burns.

In addition to being a haven for writers, Edinburgh is wealthy with galleries and museums, many of which are free. I highly recommend the National Gallery for two reasons. One, it features spectacular work by Renaissance masters, including Da Vinci, Raphael and Michelangelo. And two, by studying paintings from hundreds of years ago, it’s possible to see just how little the cityscape has changed over the past millennium. Modern-day Princes Street, one of the main thoroughfares, is instantly recognizable in Alexander Nasmyth’s painting from 1825. This is partly due to regulations that limit the height of newer buildings and partly due to the city’s topography.

The multi-leveled nature of Edinburgh means there are several prime vantage points from which to gaze out over the sprawl. Calton Hill is worth the climb, but Edinburgh Castle, of course, takes the cake. The stone fortress watches over everything from its perch on the aptly-named Castle Rock, as it has done since the 12th century. Boasting just under 1000 years of history, it routinely tops the list of Edinburgh’s must-see sites. It has two spectacular approaches. You can stroll through the verdant Princes Street Gardens and then languidly take a path up a grassy slope that’s populated with daffodils in spring.

Or you can start at the bottom of Old Town and meander up the Royal Mile, which begins at Holyrood Palace and follows the medieval streets directly to the castle gates. Give yourself plenty of time to make stops and detours, as this route passes St. Giles’ Cathedral, the National Museum of Scotland, Scottish Parliament, the University of Edinburgh as well as a plethora of notable restaurants and pubs. There are also numerous secret passages and small, winding stone alleys to explore. Some of them you may already be familiar with, as parts of the Harry Potter movies were filmed here.

Like I said: picturesque.

 

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A Chronicle of St. Andrew’s Cathedral

Published on August 1, 2013 in the Singapore American Newspaper:

Surrounded by Singapore’s glittering malls, the white spire of St. Andrew’s Cathedral sticks out like a grandmother at a sweet sixteen party. And much like a grandmother, the church has been witness to a long and layered history. But rather than becoming obsolete amidst the rapidly developing shopping centers and trendy restaurants, St. Andrew’s has proven itself to be quite capable of evolving and adapting without losing sight of its mission.

In many ways, St. Andrew’s is a bastion of Singapore’s history. Though there is no burial ground at the church site, plaques line the walls of the main hall in memory of soldiers, nurses, and civilians from almost every conflict: from the mutiny of February 1915 through the Pacific War, during which the cathedral acted as an emergency hospital before the country fell to the Japanese in 1942. Regardless of one’s religious affiliation, it is hard to deny the important role St. Andrew’s has played throughout this island nation’s past. For example, in 1842 the church assisted in founding what is present-day St. Margaret’s, the very first all-girls school in Southeast Asia, despite widespread opposition to the young girls’ removal from slavery and to the education of women in general.

The story of St. Andrew’s began in 1823 when Sir Raffles chose the site of the cathedral to be the location of Singapore’s first Anglican church. The building was completed a decade later and named for the patron saint of Scotland due to the large contributions made by local Scottish businessmen. However, this original building was struck by lightning twice in 1838 and, deemed unsafe, it was demolished. The present building was consecrated in 1862, which made last year the cathedral’s 150th birthday. Although Christian congregations have recently been shrinking worldwide, St. Andrew’s still has a robust community of between 5,000 and 6,000 regular patrons who attend services at a variety of times in a variety of languages. During the late 1990s St. Andrew’s actually found itself unable to accommodate the growing volume of churchgoers, but since the site had been declared a national monument in 1973, no additions could be made to the church structure. Therefore it was decided that an underground worship hall would be built to service the growing congregation. Completed in 2005 the Cathedral New Sanctuary is a modern chapel kept cool underneath the Welcome Centre, which is snuggled up to the City Hall MRT entrance.

Like Singapore itself, the church is an amalgamation of international influences and it has consistently integrated both new technologies and diverse cultures. The neo-gothic architecture is distinctly English. The reredos (an ornamental alabaster screen with a mosaic depicting the birth of Jesus) was crafted in Italy. The sturdy wooden pulpit was made in Sri Lanka back when it was still called Ceylon. Each page of the Bibles nestled in the pews is split in half with English on one side and Mandarin on the other. St. Andrew’s is over a century older than the Republic of Singapore and acts as a living chronicle of the nation’s history. Hopefully this dynamic cathedral will continue to be an indomitable part of the cityscape for many years to come, regardless of the gleaming skyscrapers that spring up around it.

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